The Wrecks

The Wrecks instigate an immediate reaction. Thanks to an idiosyncratic and infectious D.I.Y. approach to alternative pop, fans not only hang on to the group’s sticky hooks for dear life, but they also sing along to every word (as loudly as possible) at packed headline shows. The Los Angeles-based band—Nick Anderson [vocals, guitar, keyboard, production], Nicholas “Schmizz” Schmidt [lead guitar], Aaron Kelley [bass], and William “Billy” Nally [drums]—helm every facet of their vision, writing, producing, and cooking up a homegrown signature sound without comparison. As such, the quartet deliver an insanely immersive experience for their diehard audience at shows, within songs, and even on social media. Buoyed by this response, they have sold tens of thousands of tickets and independently stacked up nearly 300 million total streams across songs like “Favorite Liar,” (Top 40 Alternative Single) “Fvck Somebody,” and “Freaking Out” (which spent 23 weeks on SiriusXM’s Alt Nation 18 Peaking at #3 and was also a Top 40

Alternative Single) as well as two full-length offerings, namely Infinitely Ordinary [2020] and Sonder [2022]. Of the latter, EUPHORIA. raved, “There’s also some real versatility on the record,” and Wonderland. added, “The sweet sounds of indie-rock are unparalleled, and four-piece The Wrecks are crashing back onto the scene to prove it.” OnesToWatch went as far as to proclaim,

“The Wrecks should be your new favorite alternative rock band.” Sonder also appeared on Spotify’s Top 10 USA Album Debut Chart. Last year the guys signed to Lava/Republic Records, kicking off another chapter in the process. It begins with the arrestingly catchy, yet wonderfully off-kilter lead single “Always, Everytime” and “Speed” and the release of INSIDE :. Let The Wrecks take up residence in your head now. You won’t want them to leave.

Worry Club is the project of twenty-one year old Chicago-based musician Chase Walsh in partnership with visual artist Zack Zagula.

Walsh learned to play guitar at the young age of five, and soon became hungry to pick up new instruments. He taught himself drums, piano, bass, violin, and by the age of thirteen he self-produced his first record. By the time he reached high school, anxiety and depression started to have a deep impact on his life. Walsh’s bedroom studio became a refuge and the music he wrote became his coping mechanism.

“I write songs for people who are still figuring out life, relationships and their own happiness. I use my music as a tool to figure all this shit out and I find it cathartic that so many people who listen to my music relate to the things I am feeling… It’s like we get to figure it all out together. Music is the only way I can get some of the negative thoughts out of my head.”

Walsh has a unique ability to fuse lyrical content with contrasting musical compositions. “All the happy songs sound depressing and the depres

Worry Club has recently signed to Los Angeles-based label Future Gods. They will be releasing his new single, “Japanese” in collaboration with French label Kitsuné on August 7^th.

Kid Sistr is Sabel (guitarist), Sara Keden (bassist) and Rebecca Webster (drummer), an all-women, Pop/Rock trio. The band’s bright sound and colloquial writing reflect their varied influences; a Kid Sistr listener will hear the bursting bubble gum of the Top 40 charts, the palatable peculiarity of 1980s new wave, the unabashed amplitude of 2000’s alternative rock, and the meticulous construction of the singer-songwriter style. The resultant songs are rosy shards of guitar-pop ear candy, ready to be unwrapped and dissolved.